BBC Radio Scotland (17 October, 2006, 1215-1245pm)

Debate about the developments in stem cell technology, which relates to an application from various scientists in the UK to the HFEA to introduce human skin tissue into animal eggs. The debate included Callum McKellar, who has also asked me to participate in a panel at the Edinburgh Biomedical Ethics Film Festival next month. Here are my unedited notes from the debate, mostly what I said:

News peg

  • current proposal is to use somatic cells – skin cells – these are not special cells, but the egg of an animal might be
  • so, the news item is the creation of human embryos up to 14th day
  • the study will use adult cells (skin) and insert into egg to see egg’s affect on cells
  • seems to be a way of making adult stem cells more powerful
  • use embryo to create stem cells that carry genetic defect responsible for neurological conditions
  • convert stem cells into neurons to study disease – the egg converts the skin cells into stem cells
  • ultimate aim:  use adult stem cells to create other cells for subsequent transplant without fear of immune rejection

initial reaction: a positive way of addressing what is often a stalemate between pro-life and pro-choice views on stem cells, but it is a compromise – involves treating animal life as artifact.

my position:

  • first, this is not a licence to engineer people, but study a disease; which is consistent with the intention of current legislation. where it encounters problems is over creation of an embryo, but this is also unclear because the embryo would be chimeric.
  • what’s needed is further debate about chimera and clarity about what they would entail,
  • engages the wrath of those that might be characterised as pro-life and those who argue on behalf of animal rights, as well as people concerned about species integrity.
  • human dignity is at stake for all parties: using stem cell science to improve the human condition and dignity of those who struggle with debilitating conditions
  • but we shouldn’t be so serious about technology.
  • key question is what are we prepared to allow people who have different value systems to do to themselves? if someone finds this an affront to dignity, does their view take precedence over those who do not see it in this way.
  • certainly be wary of the politicisation of science, but also be wary of reducing science to politics – competing ethical lobby groups. policy has the hard task of fixing ethics within social systems and compromises will be made. this licence does not seem to great a compromise for pro-life advocates. for those who argue for pro-choice, they might claim much more.

our attitude to animals

  • gene therapy research looking at extending mobility and functionality throughout life. major market in US for dog research – people want their dogs to run around for as long as possible.
  • in this case, issue seems to be whether we allow manipulation of animal egg. we wouldn’t allow the reverse to take place – inserting animal tissue into female egg – but I don’t see how one argues on behalf of personhood for an animal. those who would argue against the insertion of animal tissue into human eggs rely on a concern over dignity and personhood. for animals, less clear that this could be the claim.

 From the Guardian, related story:

British scientists are seeking approval to create embryos by fusing human cells with animal eggs in controversial research which will boost stem cell science and tackle some of the most debilitating and untreatable neurological diseases. Three teams in London, Edinburgh and Newcastle are to submit simultaneous applications to the Human Fertilisation and Embryology Authority this month, requesting licences to create early-stage "chimeric" embryos that will be 99.9% human and 0.1% rabbit or cow. The HFEA has sought legal advice and encouraged the applications. The licences will allow scientists to remove the nuclei from animal eggs and replace them with human cells, leading to embryos containing the complete set of human genes, plus dozens of animal genes that sit inside tiny energy-making structures called mitochondria.

Aimee Mullins, some meaningful connections (for me)

1. I'm currently reviewing 'The Prosthetic Impulse'edited by Marquard Smith and Joanne Morra for the journal Body and Society, within which 2 chapters discuss Aimee Mullins.

2. I saw Cremaster 3 a couple of years ago at the CCA in Glasgow, within which Aimee Mullins features in various roles.

3. I visited the Cremaster exhibition at the Guggenheim New York in 2002 and another in the Chelsea area of NYC this May.

4. 2 newspapers this week have included features about Aimee, one was the Times on Sunday, another is today, also the Times, which includes a feature on Nick Knight, who shot the iconic photograph of Aimee with her 'cheetah legs'.

5. A friend of mine from secondary school went to work with Nick Knight a few years ago. His name is Ben Dunbar-Brunton. I was down in London a couple of weeks ago for a workshop hosted at the Science Museum which aimed to plan an exhibition on the future of sport. At this meeting was Ross Philips who works within one of Knight's online spaces.

6. Cheetah Man is the name of the image depicted on the cover of my book 'Genetically Modified Athletes'. Both of these images - in their different ways and in the context of Smith and Mora's book raise questions about the meaning of prosthesis in contemporary life and its relationship to technofetishism and disability studies.

7. Aimee Mullins is also a medal winning Paralympian.

8. I have just published an article that discusses notions of 'ability' against 'disability studies' in the context of tests for performance genes.

9. I spoke about Aimee Mullins' 'cheetah legs' at a lecture I gave to the Royal College of Art 'Design Interactions' programme a couple of weeks ago.

Eight Days a Week Newspaper Launch (17 October, 2006)

DSC07959.JPG Sitting here in STATIC listening to speakers at the Eight Days a Week launch. This event included Peter Clarke (UCLAN), Bryan Biggs (Bluecoat Arts Centre), Neil Peterson (Liverpool Culture Company), Beatriz Garcia (Impacts08) and Dany Louise (Cultural Critic). The newspaper is a collaboration between artists in Koln and Liverpool, which are twin cities.

It strikes me that a newspaper in an era of pervasive, mobile, digital publishing is a bold statement; quite proper for artists to take on. The interest seems to involve generating a space for artistic collaboration and with Liverpool's trajectory towards 2008, this seems to be an opportune moment to begin new ventures such as this.

Peter said:

"artists by their very nature have to live with a certain amount of disappointment" (hence the need for greater collaborative projects!)

Neil said (Head of 'Liverpool Welcome'):

"I'm not an artist, don give me any difficult arts questions, but I'll do my best!" (and he did a solid job)

"we are lucky to have such rich and vibrant cities to be twinned with"

"other priorities include a very exciting project which Sir Bob is leading, called 'Cities on the Edge'...awkward cities...working with Franco Bianchini at De Montfort University...we've brought in other cities...Istanbul, the non-European Capital of Culture in 2008...the sort of things we are going to be developing...football and religion...how football has taken the place of religion in some ways..we may even extend the group to bring in a German dimension."

Beatriz said:

"cultural impacts, social impact, physical impact, and economic impact"

"cultural impacts as distinct from the rest"

"we are trying to ensure in our assessment we consider as much 'who is included'...but also in terms of the 'cultural opportunities'. What new conversations might be happening between artists? How do we link football with the musical background of Liverpool."

"Our seevn main aims 1) economic 2) systems 3) cultural dissemination - effect of new initiatives on access...distinguishing this from the broader discussion on social impact...new merging themes that have to do with well-being...how do we access quality of life? how arts and health might be linked. we are having a lot of conversations with the Culture Company. 4) image and perceptions...narratives on the city. one aspect that keeps being important for liverpool as it was for Glasgow in 1990 is the bad associations with the city. 5) also assessing the city marketing strategy, what are the official lines and how people are reacting. ...responses of local communities. 6) infrastructure... uses of public space.transport. 7) the management of the process..,.partnerships...how things are changing over time to react to the environment."

"www.Impacts08.net"

Dany said:

[quotes are from the manuscript she read]

"Is this really a golden age?"

"To a certain extent, I am being slightly provocative"

"there is still possibly a creativity enjoyed in writing funding applications"

"there is an art to finding the words that give a sense of..the creative"

"the bigger and more developed your artists-led initiative becomes, the more complicated the process...financial independence is the goal"

"a sausage machine for the arts"

"there are more opportunities in the arts now...to explore...a recognised form...but paradoxically, I could argue that the more successful your artist-led initiative is, the less artist-led it may become"

Questions and Answers

Q: how do artists get involved with 8days?

A: there is an ongoing attempt to engage more artists. Younger artists - bring new players to the scene.

Bryan Biggs: "there has been hardly any funding to this [8days], so has had the freedom to do what it wants. Energy and good will rather than strategy." [intended as a positive comment].

Peter: "Neil Morrison has been inviting people in to John Moores to do a body of work. He has provided money for materials, the rest has been in kind...what happens in an organic way is that [an exchange of exhibitions takes place]. We had a little bit of money to help with an Easyjet flight, but that's about it. In terms of money its just cost of a few materials..the rest has been suported by the artist looking after the visitor. The biggest funding problem...has been to transport work."

Beatriz: "a lot of Glasgow's positive legacy was based not on what the city gave, but what the artists took from the opportunity to be the European Capital of Culture." "this artistic impact has been one of the more important legacies of 1990"

Q: what about the black artists in Glasgow? what voice do they have?

Beatriz: Our first project began with looking at young people in Liverpool 8 on how they felt about 2008.

Q: Does an artist have to go to school? How does someone get to exhibit their works?

Peter: one of the things about the Kolm project is that the demands from artists are incredibly modest. There needs to be a shift in cultural climate.

Q: Maybe there should be more support for self-taught artists.

Q: does anybody from the 8days collaboration make money?

Q: an effort to attract people to the exhibitions to purchase art is needed.

Peter: well, we try. this is one of the aims of course. "It's easier to get a show in Liverpool, if you've shown elsewhere."

Beatriz: The Arches in Glasgow is an excellent example of combining industries to make art possible.

Q: The Garage in Liverpool has a similar concept, but the challenge is raising awareness in the public.

Royal College of Art (October, 2006)

Last week, I went down to the RCA to give a talk I titled 'Posthuman Designs'. The programme on Design Interactions led by Anthony Dunne is just fascinating, engaging students with ways of imagining the future as a mechanism through which to promote public engagement about technology. Some of the work taking place there is superb and with everyone squeezed into a seminar room earnestly taking notes and thinking about how to transform concepts into artefacts, it's a really inspiring place. I hope to be down there again soon.

Philosophy of Green Economics (Sat 18 Nov, 2006)

Philosophy of Green Economics ConferenceSaturday  18th November 2006  10 am - 6 pm

at the Friends Meeting House, Meeting House Lane, Lancaster

Admission is £15.00 for the day, payable in advance. Plus vegetarian and vegan catering and all day tea and coffee. Bookings now open. Note that the venue is wheelchair accessible on the ground floor only.

Please register for the conference using the booking form on the website www.greeneconomics.org.uk and send your cheque payable to "The Green Economics Institute"  to The Green Economics Institute, 6 Strachey Close, Tidmarsh, Reading RG8 8EP.

Programme

10 - 10.30 am          Welcome and Coffee

10.30 - 11.45 am          Introductory session

Plenary: The need for a Philosophy of Green Economics

Chair Dr Anne Chapman

Miriam Kennet Director Green Economics Institute, Mansfield College Oxford University, Roots and philosophy of Green Economics

Professor John O'Neill, Philosopher Lancaster University, Why we need a philosophy of Green Economics

Dr Philip Hutchinson Philosophy of Green Economics

11.45 am - 12.00          Coffee  break

12 - 1.00 pm

Parallel Sessions;The aims of the economy

Professor Andrew Sayer, Sociology Lancaster University, The moral economy

Dr Pat Devine, Manchester University, Economist

1.00 - 2.00 pm         Lunch

2.00 - 3.00 pm

Parallel sessions:  Ethics and the economy for the world

Professor John Whitelegg Ethics and the environment

Professor Mary Mellor,  'Critical immanent realism: a philosophy for an embodied and embedded humanity'

3.00 - 4.00 pm

Parallel sessions:

The development of  Issues, schools and tools in the evolution of Green Economics philosophy Professor John O'Neill, Philosopher Lancaster University, Why we need a philosophy of Green Economics

David Tyfield Philosopher

Anthony Alexander philosopher  (to be confirmed)

4.00 - 4.30 pm          Tea

4.30 - 5.15 pm

Parallel sessions: Suggestions in Economic philosophy

Dr Philip Hutchinson Philosophy of Green Economics

Dr David Rodway  Philosopher "Ecologism: The new paradigm and revolution in perception & thought in philosophy, science, art, politics & economics - countering the neo-liberal (Cartesian) tyranny, and saving the planet".

5.15 - 6.00 pm

Parallel  sessions:  Towards a new economy for the world

Dr Anne Chapman The economy of the world

Dr Dan Rigby,Senior Lecturer, Environmental Economics, School of Economic Studies, Manchester University

*************************************

Miriam Kennet, Institute Director greeneconomicsinstitute@yahoo.com

Technoethics Conference

One to attend... We are pleased to announce the III International Conference on Technoethics, to be held on-line, organized by University of Barcelona and EPSON Foundation’s Institute of Technoethics. The deadline for papers submission is March 15, 2007. More detailed information is to be found in this website:

http://www.technoethicsconference.com

We look forward to your participation.

Yours sincerely,

Josep M. Esquirol Lecturer of Philosophy at University of Barcelona and Director of the EPSON Foundation.

Ramon Rius Coordinator of the Conference.

University of Glasgow, Physiological Society (4 October, 2006)

Last week, I gave a presentation at the invitation of Dr Yannis Pitsiladis, whom I have got to know quite well over the last few years. It was a pleasure to come and give another lecture to science students in GU. I've given so many classes here in the Postgrad school,I was left feeling a little nostalgic! Title of paper: Posthuman Enhancement Technologies in Sport

International Performance in Sport Conference (Newcastle, 26 Sept, 2006)

I've already written a few things about this meeting. It was great to see a number of friends again at this meeting and it was particularly interesting to hear concerns from within the medical community over the conflict of interests they face when treating athletes. My paper was titled 'Gene Doping: The Politics and Ethics of Enhancement'

International Conference on Sport Technology and Development (Shah Alam, Malyasia, Sept 2006)

Andy Miah in Shah AlamThis was a wonderful meeting where I had a chance to taste a little of the Malaysian lifestyle. It was a bit of a flying visit, but thoroughly worthwhile. The conference was the first major conference of this department, which is very well positioned withiin the university (of over 100,000 students!).

Conference website available online. My paper was titled Posthuman Sport

Global Olympiad, Chinese Media (Beijing, 28-29 July, 2006)

This was an excellent meeting, which is devloping into a book publication. Beatriz Garcia and I were brought in to this collaboration between the Communication University of China and the Annenberg School for Communication at the University of Pennsylvania by Professor Tian (Tina) Zhihui, star blogger and expert on all that is the Web. At this meeting, Beatriz and I gave a paper titled 'The New Media at the Olympics: Citizen Journalists and the Non-Accredited Media'.

Genotyping in sport (London, 29 Sept, 2006)

Last friday, I chaired a meeting at UK Sport on the following topic. Much more to follow on this one.... Genetic Technology and Sport: Focus on Genotyping, Genetic Tests and Selection

Date: 29 September, 2006. Time: 1330-1530 Host and Location: UK Sport, 40 Bernard Street, London, WC1N 1ST Travel Advice: Subway: opposite Russell Square Tube Station (Piccadilly Line); Bus: numbers 10, 30, 68, 73, 91, 168 to Euston Station and a 10 min Walk; car: Contact UK Sport in advance to arrange car parking facilities: tel: 0207 7211 5100. Map of Location: see final page of this document (Appendix III).

Participants Dr Peter Fricker (Australian Institute of Sport) Dr Wendy Hiscox (London) Ms Alison Holloway (UK Sport) Professor Barrie Houlihan (Loughborough) Dr Andy Miah (Paisley) Dr Yannis Pitsiladis (Glasgow) Dr Emma Rich (Loughborough) Professor Julian Savulescu (Oxford) John Scott (Director of International Programs, UK Sport) Dr Alun Williams (Manchester Metropolitan)

Agenda

1330-1345 Introduction & Background Dr Andy Miah

1345-1410 The Science of Genetic Tests for Performance Dr Alun Williamson

Respondent Dr Yannis Pitsiladis

1415-1440 The Australian Perspective Dr Peter Fricker

1440-1530 General Discussion: Ethics, Law, Policy Chair, Professor Julian Savulescu

Key Questions

• What are genetic tests for performance and how do they work? (Science) • What are the ethical implications of such tests, both in the administration of them and their effect on the ethics of sport? (Medical and Research Ethics; Sport Ethics) • What is the legal status of these tests and how would regulation function in the context of international sport? (International Medical and Sport Law/Policy) • Should genetic tests for performance be used as part of the talent identification/selection process in elite sport? (General Moral Philosophical)

Brief

Dear Colleague,

We are delighted that you can attend the meeting organised at UK Sport on 29 September on genotyping, genetic tests and selection. During this meeting, we will hear from Dr Peter Fricker at the Australian Institute of Sport about the work that has taken place in Australia in relation to this subject. Since around 2001, Australia has made considerable investments into studies that aim to identify ‘performance genes’ and it has spent extensive time discussing the legal and ethical implications of such research and the use of genetic information more broadly (Australian Law Reforms Commission, 2003).

This work provides the context for our conversations, which have become all the more pertinent given two important developments. First, WADA’s second landmark meeting on Gene Doping concluded with a specific statement about the appropriateness of identifying performance genes and using them within the talent selection process (see Appendix I). Second, the first commercial genetic test for performance had already been introduced to various countries (see Appendix II).

This brief meeting will discuss the ethics and policy implications of legislation surrounding the use of genetic tests for enhanced health characteristics. The majority of attention on genetic tests in the UK has been limited to prenatal or pre-implantation testing, where the Human Genetics Commission explains the opportunities and dangers arising from the widespread use of such tests. The HGC and other organisations are generally dismissive of the need to consider selection for ‘enhancement’ purposes. Yet, it is unclear whether or how regulation will extend to postnatal testing for enhanced health. Our intention is to establish some conclusions and recommendations to inform this emerging debate.

This symposium is organised by invitation only and is hosted by UK Sport. We regret that we are unable to fund travel expenses or speakers’ fees for this one-off meeting, but anticipate that this might be the first of a series of meetings on this topic.

Please find attached 2 documents, which we would ask you to read before the meeting to avoid time spent on background details. Given the limited time we will have, participants are asked to consider, in advance, how their expertise in ethics, law, policy or science can inform the debate about the use of genetic information in sport.

Yours Sincerely,

Dr Andy Miah Professor Julian Savulescu University of Paisley, UK University of Oxford, UK e: email@andymiah.net e: julian.savulescu@philosophy.oxford.ac.uk t: +44 (0)7891 850497 t: +44 (0) 1865 286888

Bibliography

This list of references encompasses references to other major works in the area of genetic tests for performance characteristics.

Australia Law Reforms Commission (2003). Alrc 96: Essentially Yours.

Houlihan, B. M. J. (2004). "Civil Rights, Doping Control and the World Anti-Doping Code." Sport in Society 7(3): 420-437.

Human Genetics Commission (2006). Making Babies: Reproductive Decisions and Genetic Technologies.

Miah, A. and E. Rich (2006). "Genetic Tests for Ability? Talent Identification and the Value of an Open Future." Sport, Education & Society 11(3): 259-273.

O'Leary, J., Ed. (2001). Drugs and Doping in Sport: Socio-Legal Perspectives. London, Cavendish Publishing Limited.

Pitsiladis, Y. and R. Scott (2005). "The Makings of the Perfect Athlete." The Lancet: Special Supplement on Sport and Medicine 366: S16-S17.

Savulescu, J. and B. Foddy (2005). "Comment: Genetic Test Available for Sports Performance." British Journal of Sports Medicine 39: 472.

Spriggs, M. (2004). "Compulsory Brain Scans and Genetic Tests for Boxers - or Should Boxing Be Banned?" Journal of Medical Ethics 30: 515-516.

'Language, Communication, Culture' conference (28-30 November, 2006)

4th International 'Language, Communication, Culture' ConferenceLisbon, Lusofona University, November 28-30, 2006

http://lcc.ulusofona.pt/

An organisation of the staff, students and associates of the 'Culture and Society' Postgraduate Programme (University of Lisbon), of the staff of the Department of Communication, Arts and Information Technology (Lusofona University), and of Best Travel Agency.

Keynote Speakers:

Vikki Bell (Goldsmith's College, University of London) Nicholas Mirzoeff (New York University)

The conference will be structured around three topics:

1 - Media, media-making and the politics of news production

2 - Visual culture and hegemonic cultural policies and practices

3 - Cultural studies and the production of knowledge and social change

This year's LCC Conference will be hosted by Lusofona University, a private academic institution in Lisbon. Having previously been held in =C3=89vora and Beja, the LCC conference alternates annually amongst several institutions that comprise Portugal's academic panorama. Apart from Lisbon's centrality favouring participation in this event, both transport and accommodation-wise, Lus=C3=B3fona University was chosen as = a venue due to this institution's focus on communication, visual arts and new technologies. This academic slant coincides with the Conference's principal vectors, namely media, visual culture and cultural studies.

For full information on the themes and sessions, Cfp, registration fees and deadlines, go to http://lcc.ulusofona.pt/

"The LCC Conference mandate is to bring together scholars from all disciplines and fields of the humanities and social sciences with contributions on language, communication, social and cultural themes that analyse the contemporary world, its vectors of crisis, its tensions and conflicts, its lines of development, and its resources of hope."

Cultura Visuale in Italia

Cultura Visuale in Italia. Prospettive per la comparatistica letterariaInternational Conference

Organisation: Ministero dell'Istruzione, del'Universit? e della Ricerca scientifica PRIN  2005 | Universit? di Palermo | Facolt? di Scienze  della Formazione | Dipartimento di Arti e  Comunicazioni | Centre Culturel Fran?ais |  Istituto Svizzero di Roma |  Associazione  Siciliana Amici della Musica | Alitalia |  Feedback | :duepunti edizioni | Broadway Libreria  dello Spettacolo | Master in Comunicazione e  Cultura Visuale | Laboratorio di Cultura Visuale  | Con il Patrocinio del Senato della Repubblica

Conference Organizer: Prof. Dr. Michele Cometa,  Dipartimento di Arti e Comunicazioni, Universit? degli Studi di Palermo, Viale delle Scienze,  edificio 15, 90128 Palermo, Italy (e-mail: mcometa@unipa.it)

Palermo, Jolly Hotel Via Foro Italico 22, 90133 Palermo (PA) ITALY

Research concerning the interrelation between  literature and visual culture is by now a  well-established international tradition showing  remarkable progress also in Italy. National  philology especially (German, English, French,  etc), theory of literature and comparative  literature have amply acknowledged and developed  international stimuli both on a theoretical level  and on an applicative one. In the last decades of  the twentieth century, in particular, we have  witnessed a renewal of the debate on the  "reciprocal illumination between the arts"  obviously encouraged by the still growing role  that images have "for" literature, "in"  literature (the problem of explicitly intermedial  production) and in the "system of literature" as  a whole (distribution etc.). The meeting intends to define the methodological  bases for a comparative study of literature and  visual culture that is fundamental both at the  level of literary theory - which has always shown  meticulous interest with regard to the  relationship between verbal and visual, that  today seems to be at the core of the cultural  debate - , and at the level of the contribution  that this connection may be able to provide to  the redefinition of the role that literature can  and must acquire within the field of Cultural  Studies and Communication Studies. The aim of this project is focused upon the  analysis of literary phenomena moving from the  alterations that the gaze (individual and  social), the optical devices/media (from the  camera obscura to the cinema) and the new images  produce upon literature both on a thematic level  (media and gaze as literary themes) and on that  of writing, in the strict sense of the word  (literary optics, ?kphrasis, etc.). In such a view the comparative study of  "literacy" and "visual literacy" can contribute  to reinforce the role of literary studies in the  constitution of interpretative paradigms of our  society, therefore avoiding the isolation of  literature from the most productive and the  widest context of the study of cultures. The research project in particular intends to  focus its attention - in accordance with the  competences already acquired by each scholar that  is part of this work unit - upon three  fundamental phases of the encounter between  literature and visual culture: 1) a  pre-photographic phase which will look at the  presence in literature of the gaze changes  produced by visual technologies such as camera  obscura, microscope, telescope etc., up to the  invention of photography (which is to say, a  period that extends from Pre-romanticism to  Naturalism); 2) a post-photography phase which  will concentrate upon the encounter between photography and literature both on a biographic  level (writers-photographers) and on the most  crucial level of the modifications imposed by  photography as a means of communication to  literary; 3) a pre- and post-cinema phase in  which, beyond the problem relative to the  adaptation, the purpose will be to highlight how  cinema, as an instrument of communication, and  film writing have shaped and modified literary  writing.

CONFERENCE PROGRAM

Thursday September 28, 3.30 p.m.

Welcome

Chairman Camilla Miglio

Hans Belting (IFK, University of Vienna) Per un'iconologia dello sguardo

W. J. T. Mitchell (University of Chicago) Realism and the Digital Image Discussion

Friday September 29, 9.00 a.m. Chairman Maria Luisa Roli

Ulrich Stadler (University of Zurich) Besser sehen, anders sehen. ?ber den wissenschaftlichen und poetischen Umgang mit visueller Erfahrung

10.00 a.m. Coffee break

Michele Cometa (University of Palermo) Letteratura e cultura visuale nell'era prefotografica

Giovanni Sampaolo (University of Rome) Skia-graphia: silhouettes, ombre cinesi e letteratura intorno al 1800

Rita Calabrese (University of Palermo) Con gli occhi di un'ebrea: Dorothea Mendelssohn Veit Schlegel

Friday September 29, 4.00 p.m. Chairman Federico Bertoni

Philippe Hamon (University of Paris 3 - Sorbonne Nouvelle) La litt?rature, la ligne, le point et le plan

5.00 p.m. Coffee break

Silvia Albertazzi (University of Bologna) Letteratura e cultura visuale nell'era della fotografia

Ferdinando Amigoni (University of Bologna) Gli strani grovigli del vedere: Celati, Ghirri, Herzog

Donata Meneghelli (University of Bologna) "Il cervello comincia dall'occhio". Raccontare le immagini, raccontare con le immagini

Saturday September 30, 9.00 a.m. Chairman Lucia Mor

Andreas Beyer (University of Basel) Il volto. Descritto. Dipinto. Letto

10.00 a.m. Coffee break

Massimo Fusillo (Universit? dell'Aquila) Letteratura e cultura visuale nell'era del cinema

Clotilde Bertoni (Universit? di Palermo) Giornalismo nel cinema e cinema giornalistico

Vincenzo Maggitti (Universit? dell'Aquila) Il "pictorial turn" nel racconto letterario del film

Saturday September 30, 4.00 p.m. Chairman Mauro Ponzi

Cultura visuale in Italia. Prospettive a confronto Round table: Antonio Bellingreri, Maurizio Cardaci, Ivano Cavallini, Gabriella De Marco, Francesco Faeta, Filippo Fimiani, Francesco Galluzzi, Fabio Lo Verde, Giuseppe Pucci, Antonio Somaini

5.30 p.m. Coffee break

Giulio Iacoli introduces the director Antonio Capuano

Roberta Coglitore introduces the photographer Giovanni Chiaramonte

Conclusions Michele Cometa

Languages: French, English, Italian, German

Further informationsr: www.culturalstudies.it

Shah Alam, Malaysia

This week I gave a keynote at the first international conference on sport technology and develoment at the lovely city of Shah Alam. The Universiti Teknologi Mara did a great job with this meeting and it was fascinating to spend some time around Kuala Lumpur and the neighbouring regions (just dont take any food if you visit the Batu Caves)

BIRTH: The cultural politics of reproduction

BIRTH The Cultural Politics of Reproduction

An interdisciplinary conference hosted by the Institute for Advanced Studies, Lancaster University, Wednesday 7th March 2007

New health practices and technologies are rapidly transforming cultural understandings and individual experiences of reproduction. As a consequence of these changes 'birth' (by which we mean not only childbirth but the range of embodied, social and cultural practices associated with reproduction and parenting) has become the site of intensive academic research. BIRTH aims to create a dialogue between different disciplinary approaches to reproduction.Through a focus on the cultural politics of reproduction, this event aims to bring together academics and researchers from across the social sciences and humanities working in the area of reproduction, pregnancy, birthing, parenting and childcare.

This call for papers encourages the submission of abstracts that address the theme of birth, be that birth practices, birth stories, representations of birth, technologies of childbirth, issues of infertility, or birth as a metaphor for female identity, through a consideration of the cultural, sexual, economic, and institutional contexts from which these experiences of birth emerge.

Possible Themes

Birth Narratives and Body Stories: historical and changing myths of birth, Birth as rite of passage, secrets, shame, injury and birth, maternal monsters, race, ethnicity and birth, the new visual cultures of birth (including representations of birth in literature, television, theatre, film and other media forms), new consumer cultures of birth. Feminist and queer retellings of, `disabled` birth, male `pregnancies`, and `male reproduction`.

The Birthing Subject: feminist philosophies of birth and embodiment, pregnant embodiment, birth as a metaphor for rethinking female identities.

Childbirth: the birthing experience, medical and health practices associated with childbirth (pre-natal, intrapartum and post-natal), Prenatal Diagnostic Screening, genetic testing and engineering and IVF, and the impact of these health technologies on the meaning of childbirth, maternal agency within childbirth, alternative childbirth movements, pain and childbirth, the new legal cultures of childbirth, access to maternal health services, class and economic aspects of childbirth and fertility, Maternal Mortality and Childbirth Injury.

Reproductive `Failure`: discourses of infertility, `Failed` births, 'Barren' women, abortion, contraception, family planning, the foetal subject, pro-life politics, intentional childlessness, new mythologies of `having it all`, forced abortion, surrogacy, Sterilization and Human Rights, Reproductive Policies and Practices in non-Western contexts, The Politics of Below-Replacement Fertility.

Please send abstracts of 500 words to Imogen Tyler, i.tyler@lancs.ac.uk <mailto:i.tyler@lancs.ac.uk <mailto:i.tyler@lancs.ac.uk> > , by October 6th 2006.

Non -speakers can enroll for the event as a participant by contacting the conference administrator June Rye, j.rye@lancs.ac.uk <mailto:j.rye@lancs.ac.uk <mailto:j.rye@lancs.ac.uk> > . Please include full contact details with your conference registration email. Please note that places will be limited.

In due course we will send out and publish online the full conference information (including details of accommodation and travel). This event is fully funded and there will be no conference fee.

Imogen Tyler Lecturer in Media and Cultural Studies UG Admissions Tutor for American Studies, Film Studies, Media and Cultural Studies Institute for Cultural Research <http://www.lancs.ac.uk/fss/cultres> Faculty of Social Sciences <http://www.lancs.ac.uk/fss/faculty/> Lancaster University <http://www.lancs.ac.uk/> Lancaster UK LA1 4YR (01524) 594186 i.tyler@lancaster.ac.uk <mailto:i.tyler@lancaster.ac.uk> www.imogentyler.net

Art and the Senses (Oct 7, 2006)

A one day workshop on ART AND THE SENSES will be held at theUniversity of Sheffield on Saturday, October 7th 2006.

Speakers:

Fiona Macpherson (Glasgow) 'Synaesthesia and Art: Scope and Limitations' Andrew McGonigal (Leeds) 'Art and Discriminability' Catharine Abell (Manchester) 'The Perceptuality of Pictures' Robert Hopkins (Sheffield) 'Sculpture and Visual Perspective'

Some student travel bursaries are available. For information, and to register (there is no fee) please email r.hopkins@shef.ac.uk.

The workshop is generously supported by the British Society of Aesthetics, the Centre for the Study of Perceptual Experience (Glasgow), and the Sheffield Philosophy Department.

For further information, please visit the workshop website: http://www.gla.ac.uk/Acad/Philosophy/CSPE/art/art.html

Professor Robert Hopkins Department of Philosophy Arts Tower University of Sheffield Sheffield S10 2TN

Tel 0114 222 0572

Pleasure Dome (Toronto)

Call for Proposals/abstracts:=20 Pleasure Dome, Toronto's experimental and alternative film and video exhibition collective would like to invite submissions for its next publication titled: Excesses and Extremes in Film and Video.

In this book, which sets out to examine excesses and extremities, and thereby also liminality, we invite submissions on a range of explorations that consider creative excrescence and the immoderate in film, video and expanded cinema.

This collection forays into creative impulses that are extremist in kind, and also considers the liminal spaces in which such experimentations in art and thought move.  Essays will take as their point of departure an exploration of this overarching theme of excess and the "irrational" through which images in film and video stretch tensile, convulsing to their edges, producing a shock to thought and topographies of foreignness.

Experimentations in film need the movements of images, sounds, words, rhythms and anti-rhythms through which the film courses, and through which the forces within the film itself can be sensed.  In what ways do we encounter the excesses and extremes in films that pulverize our ordering of the senses?  And, consequentially, how can we come to characterize such intensities in sound and images, of forces from the depths in order to render ephemera in the language of words, in the construction of critique and in the crystallizing impulses of philosophy?

What is production of the extreme in film, video or expanded cinema?  In which way(s) does the extreme act upon our senses by disrupting, interrupting or agitating?  Or, conversely, how does the extreme present a bodily intemperance in how moving images come to be experienced?

Submissions of such explorations may include a range of forms such as critical essays, cartoons/comics, visual compositions, story-boards or film treatments.  Explorations might consider, but are not limited to some of the following suggestions:

=B7 What are art's becomings in their terrorizing impulses?

=B7 Can the intemperate of art dissemble the senses?  What is created and lost in the body through such forces and affects?

=B7 How do intensities become extreme?

=B7 Can we accept in art what we condemn as destructive such as the annihilative passions of violence and greed?  For instance, can the extremes of making art, which sometimes indulges in animal cruelty, defilement of corpses or sexual sadism elicit more than shock? Can such destructive impulses produce lines of flight from the constant colonization of consumer capitalism?  When sadistic desire and unbridled cruelty are transposed to an artistic medium, can what is dangerously antisocial, hateful and intolerant become an expression of pure joy?

=B7 What kind of release whether by virtue of addictions, obsessions or psychosis is productive in the land of excess?

=B7 Do rebellious/radical impulses in art recuperate what are dangerous and toxic waste products?

=B7 Can the ephemera and esoteria of the occult, such as becoming minor through the dark chthonic impulses found in becoming-witch, satanic or alien deterritorialize art for a post-capitalist becoming?

=B7 Recycling abandoned detritus of mass media over-production

=B7 In facilitating the shock of trauma, can extreme art produce an imbalance of forces releasing trapped energy, in what could be considered a paradox of brutality?

Please send your submissions to: pleasure.dome@yahoo.ca

Co-Editors:=20

Firoza Elavia Experimental filmmaker and Ph.D. Candidate in Film and New Media Studies

Linda Feesey Filmmaker, programmer and reviewer=20

Deadline for proposals: September 30/2006 Length: 500-800 words

Pleasure Dome is a film and video exhibition collective dedicated to the presentation of experimental film and video by artists. Programming since 1989 Pleasure Dome is committed to exhibiting local, national and international work which features shorter length and small format work, as well as non-traditional work that mixes film and video with other media such as performance and installation. We organize approximately 20 events per year into a fall/ winter/summer schedule. Pleasure Dome also publishes critical texts and catalogues on film/video artists and their work including the recent catalogue on Barbara Sternberg Like a dream that vanishes and the anthology Lux: A Decade of Artist's Film and Video.

Firoza Elavia PhD Candidate, Philosophy of Film=20 and New Media Studies, York University, Toronto, Canada

Documentary Now!

FIRST CALL FOR PAPERSDocumentary Now! A Conference on the Contemporary Context and Possibilities for the Documentary Genre Conference Location: Birbeck College, Malet Street, London Dates: Saturday April 14th & Sunday April 15th 2007 9am-5pm This conference, sponsored by Brunel University,  aims to bring together scholars, filmmakers and interested members of the public to discuss current trends in documentary practice, from the return of documentary as a theatrical box office phenomenon, to broadcast television and beyond. It will explore questions of industry, audiences, questions of aesthetics, documentary theory, questions of political engagement, documentary’s relationship to the mainstream media and other issues. Themes For The Conference Documentary and the public sphere Documentary in the 21st century (new modes and hybrids, new technologies such as internet, phones, podcasting etc). The changing TV climate for documentary Documentary audiences. The renaissance in theatrically-released documentary. Questions of 'authorship' in relation to recent documentary. New challenges for documentary distribution and exhibition Documentary in the post-9/11 and post-7/7 political world. New types of drama-documentary/the relationship between fiction and non-fiction. Documentary and investigative journalism. Censorship, regulation and 'fair dealing'/copyright issues; documentary and the law. If you would like to give a paper at the conference, please send proposals (around 150-300 words) to michael.wayne@brunel.ac.uk thanks Mike Wayne

American College of Sports Medicine (30May-3Jun, 2006)

Session on Gene Doping: Special Event Proposal:

Title: Gene Doping in Sport: Separating Hype from Reality

Chair: Stephen M. Roth, Ph.D. Dept. Kinesiology University of Maryland College Park, MD 20742

Speakers: Gary I. Wadler, M.D. New York University School of Medicine 800 Community Drive Manhasset, NY  10030 Phone: (516) 365-9600 Fax:  (516) 365-4427 Wosportgiw@aol.com

Topic: Perspective on Gene Doping of the World Anti-doping Agency (WADA)

Dr Olivier Rabin Science Director, WADA.

Topic: Gene transfer and athletics; an impeding problem

Andy Miah, Ph.D. School of Media, Language and Music University of Paisley Ayr Campus, KA8 0SR Scotland, UK [t] +44 7891 850497 [f] +44 1292 886371 email@andymiah.net

Topic: The Ethics of Gene Doping in Sport