Talk today for Salford University CPD conference.
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AND festival went to Grizedale forest this year, a return after 5 years. We delivered a number of drone activities over the weekend, including a networking event for drone enthusiasts and some flying experiences for beginners and experts. We were incredibly lucky with the weather and had some great people come along and learn.
This week, I was privileged to speak at the University of Salford's London meet up. It was a unique event for me and incredibly humbling to see and speak to so many remarkable people who have come through the university, including a Lord who was involved with writing the House of Lords report on drones - the subject of my talk! It was a great way to conclude an extraordinary first academic year at the university.
University of Salford 087e1
This week, I took part in a Battle of Ideas debate at the UK Space Conference in Liverpool exploring the Internet of Things and its transformative potential. It was a pretty far reaching debate, but my main argument focused on the need to step back and imagine a world where the IoT is not imagined as something in the service of humanity, but something which may serve a wider notion of ecosystem well being. This doesn't mean ignoring the desires and needs of humans, but instead trying to come to terms with what might be afforded by this technology if we adopted a wider perspective. I went on to advocate the need to think about an 'Interstellarnet of Things', which takes us beyond the confines of our planet in imagining the potential of this technology, along with the importance of thinking about some of the consequences of artificial general intelligence and the possibility that objects becoming sentient. In this regard, the idea of an Internet of Things at all misses the point - they will not be things, but beings, entities which may have a certain moral status by virtue of its capacity for volition or self-actualization.
Finally, I talked about the importance of the open data initiative and the need to overhaul some of the conventions operating around digital platforms which restrict our freedom to roam by precluding us from exporting our data into some universal language.
2015.07-UKSpaceConf
My first #SciFoo (Science Friends Of O'Reilly Media) event just came to a close and it was a marathon of crazy conversations with people doing remarkable things in science, art, and technology. Some of my highlights were a conversation with a paleontologist about using a probablistic approach to explaining why mammoths became extinct, chatting with the Pope's astronomer, and running two sessions in the programme, one on Drones, the other on Google Glass. Here's a glimpse from start to finish...
#Scifoo about to kick off here at @google in Mountain view! Excited! @makingscience@TechMoonshotspic.twitter.com/qKxLcHRQ3N
— Georgia Dienst (@georgiadienst) June 26, 2015
at the Google holodeck for #scifoopic.twitter.com/MgieukSU1s — Professor Andy Miah (@andymiah) June 27, 2015
googling #scifoo (@ Googleplex - @google in Mountain View, CA) https://t.co/drwfXkOuh5pic.twitter.com/HJIU981h4g
— Professor Andy Miah (@andymiah) June 27, 2015
Google's driverless car shown at #scifoopic.twitter.com/fpqzbxNgJ6 — Professor Andy Miah (@andymiah) June 27, 2015
check out this 360 filming @GoPro rig at Googleplex #scifoopic.twitter.com/YXzpm4aRfU
— Professor Andy Miah (@andymiah) June 28, 2015
Google glass session. main room at tent, in 5. #scifoopic.twitter.com/xIzzHk1kBY — Professor Andy Miah (@andymiah) June 28, 2015
Video essay, from my talk at #YorkFoi York's Festival of Ideas.
This week, I took part in a panel at the Cheltenham Science Festival focused on the use of drones in every day life. I talked a lot about Project Daedalus and some new innovations, particularly high authority autonomous systems - essentially completely intelligent drones - while Gerry Corbert from the Civil Aviation Authority gave a run down of the rules and regulations surrounding application. He was quick to point out that the guidelines that surround UAVs were never designed for the very small UAVs which can now be picked up in toy stores or even the Apple store, but there were some key issues that seem unresolved. One of them relates to this video:
https://www.youtube.com/watch?v=fZkZ4FONiiw
This example of a form of augmented reality glasses being used to give FPV perspective of the drone's camera is provocative because the CAA guidelines stipulate that flying with FPV goggles is actually not legal, since the pilot must always have visual line of sight (VLOS). However, these glasses offer transparency which permits VLOS, while locating the drone's camera feed within the glasses as well. So the question is, 'is this legal?'
This seems one of the future directions around the use of augmented reality devices with drones, making even more complicated the way in which the rules operate.
Screen Shot 2015-06-05 at 11.50.45
In the first of our Project Daedalus events with arts organizations, we all went over to the Pleasance in London to offer some demos, talks, and sandpit style discussion, thinking about how to use drones in creative contexts. Attendees had a chance to fly some micro drones and a Parrot Bebop using the iPad control interface, while also hearing about 360 degree film making, design for virtual reality interfaces, including Oculus Rift and Samsung Gear, and generally think about how to interate a range of digital technologies around drones, to create immersive, compelling, and different audience experiences.
Project Daedalus is a Digital R&D for the Arts project, funded by Nesta, Arts Council England, and the Arts and Humanities Research Council. It was born from a collaboraiton between myself, Abandon Normal Devices, and Marshmallow Laser Feast.
The second of three social media talks in a week, this one at the London School of Economics, focused on the early career researcher and how they can use social media to get their ideas out there quicker and make social media part of their research discovery process. When I was a PhD student, all we had to think about in terms of software was which bibliographic package we use.
Now, there are endless applications and key places where academics need to be, so that their work is discovered. Some of the key ones are ResearchGate, Google Scholar, Academia.edu, LinkedIn, and Twitter, but there are many more tools available that can help make our work more efficient, more accessible, and more engaging.
One of my key messages is that ignoring social media is like ignoring email in the 1990s. The question is not whether we do it, but how we do it well.
This week, I gave a talk at Kent Business School focused on the use of social media to generate research impact. It was a staggering sell out event with around 1/4 of the total academic staff of University of Kent in attendance.
One of the key things I covered in my talk was the range of socil media platforms that are out there, evidenced by my A to Z of social media for academia, which was first published in 2012. It has since been shared in countless places and the list keeps growing.
The platform I like most at the moment is Journal Map, makes me wish I was an environmental scientist. Maybe in a few years ;) Here are my slides from the talk...
This week, I took part in a dinner debate about media, ethics, and dementia. The conversation was run by the Dementia Festival of ideas, a year-long programme of events designed to interrogate key issues in dementia studies and research, along with an exploration of how to create novel forms of public engagement and public responsibility around the subjects. The debate took place with a range of experts fom different areas of interest, from journalism to medical ethics and was a really far reaching discussion. What struck me is how much has yet to be done, to ensure that care is adequate, and that social stigma around dementia is challenged.
Some possible interventions will follow from this event, including finding a way to empower families of suffers to take more decisive action to influence best practice and care within hospitals, along with developing a university alliance that can take strategic action in influencing policy, agenda setting, and generating research funds.
Wearable Technology, Augmented Reality, & Drone Cameras
Today's talk at #SportAccord went really well. It was the first time I'd used flight within a lecture and fortunately nobody got hurt. In actual fact, it was all very safe and I think it made much more real the way in which drone technology is becoming a part of the fabric of our lives.
Here are the slides from the talk
and finally, the lecture itself
Yesterday, I took part in a panel debate about what cities will look like in the future, what they need to do to deliver effective and compelling sports events, and how new forms of technological culture are changing audience expectations of urban life. My contribution focused on the Internet of Things, the role of Big Data, and the opportunities to nurture cultural change through technology.
Having been to 9 Olympic Games, I have seen a lot of change around how cities operate and yet there is still so much that can be done to use mega events as a catalyst for developing more digitally engaged legacies. I have yet to see a city that does this effectively and I think it has partly to do with the limited capacity of a city's people to own their digital legacy.
Consequently, my advocacy on this topic focuses on the need to create opportunities for data to empower people, rather than subject them to commercial exploitation. Sports have a key role to play given the growing economic impact around mobile health experiences.
Photo by Ksusha Kompan Photography
My first talk for the School of Arts and Media at the University of Salford, Manchester ;)
This week, I was in Seoul presenting at the Global Education Dialogue run by the British Council and co-hosted by hte Korean Council for University Education. The conference focused on the role of technology in the race for global talent and my talk developed the idea of 'intelligent learning systems' that can enable universities to get to a point where their staff student ratio is 1 to 1. Here's the @prezi
Today @SalfordUni, the Business School hosts a symposium on Digital Innovation, focusing on health applications. Here's my @prezi
Today, I am giving a talk at the #BETT2015 Show in London and also participating in a panel on social media in education. It's a huge event and I've never been before, so it will be fun to discover what it's all about. It's still early days for the Internet of Things in education, so there's a lot to talk about and I'll post slides here at the end of the day, summarising my talk and some of the discussions.
Tomorrow, I am compèring the Digital Utopias conference, an event curated by @ANDfestival and produced by @GoogleUK @ACE_NAtional @Hull2017 @theSpaceArts and @BritishCouncil It's an extraordinary programme. Here's the brief:
Digital Utopias is a one-day conference which will inspire and incite debate about how new technologies are enabling creativity across the arts. The conference aims to capture topical and diverse approaches to curation, archiving, collecting and creating from a range of art forms, from the visual arts to theatre.
The event will provide an opportunity to discuss new tools and emergent practice, whilst delegates will connect with international arts organisations and specialists in the field to unpick the creative and critical challenges facing organisations today.
and here's the programme:
Morning Sessions
Sessions in the main theatre will be compèred by Prof Andy Miah.
10:00-10:20
Welcome from Sir Peter Bazalgette, Chair, Arts Council England and James Davis, Programme Manager, Director, Google Cultural Institute
Main Theatre
10:30-12:00
Debate: After the future
Main theatre
After the future examines how art is changing in the digital age and how new behaviours and systems are emerging in the creation, exhibition, interpretation and dissemination of art. Through sharing recent and historical examples, the panel will examine the challenges of classifying a growing and chaotic field. Asking questions such as; What are the practical challenges and values, which should inform the future? And how can our media art history inform the sector?
Chair: Sarah Cook, Morgan Quaintance, Ruth Mackenzie (The Space) and Jon Thomson (Thomson and Craighead)
Or choose from the following sessions:
10:30-12:00
Clinic: What to do with your data?
Rehearsal space
Puzzled by Open data, big data and meta data? You are not alone! Led by CEO Gavin Starks and Art Associate Julie Freeman, this Open Data Institute session demonstrates what art organisations can do with their data and the small steps you can make right away.
Led by CEO of ODI Gavin Starks and Julie Freeman.
10:30-11:30
Showcase: Presentation and talk by James Davis, Programme Manager at the Google Cultural Institute
Studio theatre
Google Creative Lab UK will talk about their chrome web experiments, games and prototypes.
12:00-13:00
Lunch lower and upper foyer
Afternoon Sessions
13:00-14:30
Debate: Disruptive Innovation
Main theatre
This panel will unpick alternative models of “innovation” through examining production models and their cultural value. Interdisciplinary artistic practice can create new platforms, resources and art forms, but what are the benefits to artistic practice and how can cultural appropriation be avoided?
Led by Tatiana Bazzichelli (Curator and writer) Memo Akten (Artist), Lynn Scarff (Programme Director of The Science Gallery) and Jose Luis de Vicente (curator and researcher).
Or choose from the following sessions:
13:00-13:45
Showcase: Designing Performance (Performance & Interactivity)
Studio theatre
From sensory performances to projection mapping technologies, we invite The Royal Shakespeare Company’s Sarah Ellis, artists Marshmallow Laser Feast and theatre company Extant to discuss how performance is being enhanced by new technologies and the challenges of live performance in the flesh and online.
13:00-14:30
Clinic: Archiving & preserving in the Digital age
Rehearsal space
How do we ensure long-term access to digital information through collecting, archiving and preservation? This session gives hands on tips for museums, curators and collectors on both moving image and social media archiving.
Led by Dragan Espenchied, Rhizome and Luke Collins from Lux, Scotland.
14:00-14:45
Showcase: Copy and Paste (Literature & Publishing)
Studio theatre
Changes in technology have played pivotal roles in literature (from Gutenberg to GoogleDocs) and we invite showcases from writers, publishers and software developers who are looking at everything from generative writing, books as code and alternative distribution models.
Led by Jim Hinks, Comma Press and Joanna Ellis from the Writing Platform.
Afternoon break – 15 mins
Choose from:
14:45-16:15
Debate: Activate the Public Space
Main theatre
The public space is augmented with information, networks, forces, bodies, buildings and technology. How do we define the public space? How do we create work for a time where the distinction between being offline and online is harder distinguish. We hear from a range of organisations, who have opened up new social spaces, data and communities through gaming, networked objects and growing DIY communities.
Led by Ruth Catlow (Furtherfield) Prof Jennifer Gabrys (artist), MolMol (Yes Yes No) and Iain Simons (GameCity).
15:00-15:45
Showcase: Curating Networks
Studio theatre
Curating Networks showcases projects that rethink ideas of authenticity, ownership and authorship in relation to archives, collections and traditional formats and gallery spaces.
Led by Katrina Sluis (Photographers Gallery), and Irini Papadimitriou (V&A) and Hullcraft (Joel Mills and Hannah Rice) University of Hull.
16:15
Closing remarks
Main theatre
16:45-17:30
Showcase: Crafting Code (Art and Science)
Studio theatre
Crafting Code explores the role of new materials in art production and how data can be materialised, examining the interchangeable role of artists, engineers and makers. We invite presentations on the ‘algorithmic’ opportunities this expanding field is developing, from design, digital sculpture and science to 3D modelling & wearable technology.
Speakers include Karen Gaskill (Crafts Council), Gretchen Andrew and Matthew Plummer-Fernandez.
16:45-18:00 Clinic: R&D as serious play
Rehearsal space
This session will bring together representatives from a selection of recent R&D projects to discuss how to design and manage a process that is playful and serious at the same time. Facilitated by a representative from the Digital R&D Fund, each representative will share their experience, before moving into a panel discussion and workshopping ideas with the audience. Creative technology projects are not just about delivering an end product - managing a R&D process which is creative, useful and rewarding for all parties is where the magic happens.
17:00-18:00 Networking Drinks
Foyer
18:00-18:30
Performance: The Measures Taken
Main theatre
The day will finish with an immersive digital art work. ‘The Measures Taken’ is a collaboration between Marshmallow Laser Feast and Alexander Whitley Dance Company. Both a dialogue, and a duet between human movement and the digital world, this performance promises to be visually striking and kinetically charged.
- See more at: http://www.artscouncil.org.uk/jobs-and-conferences/conferences/digital-utopias/programme/#sthash.ymmObLsu.dpuf
Credit: Karl Andre Photography
This week saw some of the UK's best media pros come to Salford - many of them are already here of course! The phenomenal venue of Media City was a fantastic back drop to debates about media change, not least because it stands as an example of how much change has happened already in the UK, since Media City was open. The industry conference was preceded by an academic conference and, while one might wish for more integration than separation, these are still early days in the programme's life and it was a fantastic achievement to bring these two alongside each other.
I chaired a panel looking at alternative media and social media and their role within journalism. Two things struck me about this panel. The first is that the media industries are still trying to figure out how to do social media and have yet to come to terms with just how much it is changing their profession.
Forget whether or not citizens are journalist, what struck me most was provoked by Salford' Caroline Cheetham revealing that the user-generated content (UGC) department in the BBC is the fastest growing of all departments. In a world where the amount of news is expanding and the number of journalists is diminshing, it seems apparent to me that a completely new model is required. While one presentation talked about journalists as 'curators' of content rather than 'originators' of content, this seems still a stop-gap position, at the top end of a slippery slope, the end of which is a complete failure of journalism to do anything that the people cannot do themselves.
This is not a realisation that those in the industry willingly accept, but it is an impending reality that is steadily eroding professional journalism. Until the media realise this and figure that, even 'trust' is not something that they can rely on as a USP, then it will steadily ebb away into oblivion.
Despite this gloomy prognosis, I am optimistic about the future of journalism, but it is a future that is not predicated on the current economic model, not even the current ethos of journalism. It has to evolve and figure out what kind of future it has in a world where enhanced democracies can produce capable citizen journalists who work out of networks that can take on the biggest and smallest stories in our world.
The opening day closed with a lecture from Harriet Harman MP, who emphasised the importance of the creative industries - focusing more on this than on the journalism side of things. Yet, this separation was my biggest problem with her speech. Within government, there is no sense of the ways in which content overlap across industries and how difficult it is to separate them out.
A debate about the BBC license fee on the second day left me with one conclusion. In a world where citizens take on the role of journalists, the rise of user generated content may one day see the BBC change its acronym to UGC. Journalists may still have a job, but it will look nothing like the one they enjoy today.
How should we think about our relationship to other species - and their relationship to each other? This is the question we are invited to consider when seeing Marcus Coates' new work 'The Sounds of Others', which premiered at the Manchester Science Festival this week. I took part in a conversation with him and his collaborator Geoff Sample who, ironically, had to sample a bunch of animals in order to help Marcus explore his work. The project essentially involves speeding up and slowing down the sounds of different species which, when done, begin to sound remarkably like each other. This art work was funded by Cape Farewell's new Lovelock Art Commission, which explores James Lovelock's Gaia theory through art. It's a really compelling piece, which is very easily understood upon seeing it and does make one think about our place in the world. I am sure it will tour all over the place, so do try and get to it, if you find it in your neighbourhood!